Prism Cosmos

A seven-voice detuned saw engine built for width. Each voice drifts independently, so the unison never phase-locks into something static — it breathes, beats, and shimmers the way stacked analog oscillators do. A Supernova mode pushes the spread into dissonant, metallic territory: cinematic risers, aggressive leads, galaxy-spanning pads.

A digitally-controlled analog polysynth: a slightly gritty saw wave, a snappy square-wave sub oscillator, and a resonant filter sweep that sits perfectly in any mix. The built-in bucket-brigade chorus turns simple patches into lush, wide soundscapes — wobbling with the drift of real delay-line hardware.

A studio multi-effect that layers reverb, delay, modulation, and spectral processing into dense, evolving sound clouds. The Nebula Morph control crossfades between effect configurations the way a nebula shifts between states of matter. Spectral processing analyzes your audio's harmonic content and applies effects selectively across the frequency spectrum.

Convolution reverb captures the acoustic fingerprint of a real space. Cosmic Convolution takes this beyond earthly architecture with mathematically modeled spaces that could never exist: cathedral-scale planetary resonance, methane canyons on Titan, and interstellar gas cloud acoustics. Time Dilation stretches impulse responses into reverb tails that evolve over minutes.

A bright, pristine multi-tap delay built around a rotating magnetic drum. Multi-tap outputs create polyrhythmic echo patterns where each repeat radiates outward at a different time interval. The Corona diffusion stage smears repeats into ambient wash, bridging the gap between delay and reverb.

Wavetable textures channeled through a dreamy piano architecture. Six procedural wavetable sets scanned by a position knob with LFO modulation. Dual detuned oscillators feed a 4-pole resonant ladder filter with envelope modulation, shaped by piano-style ADSR and sympathetic string resonance.

A tine electric piano, physically modeled down to its nuances: the bark of a hard-struck tine, the gentle bell tone of a soft touch, and the way sustain blooms differently across the keyboard. Celestial effects — orbital tremolo and starfield reverb — carry that warm, percussive voice into cosmic soul.

Rooted in divide-down oscillator string machines — the instruments that gave disco, prog rock, and early ambient their lush wash — Aurora String Pad reimagines string synthesis through a spectral lens. Layers shift through harmonic colors the way aurora borealis shifts through the electromagnetic spectrum.

Drawing from the noise generation circuits of vintage Buchla and Serge modular systems. White, pink, and brown noise sources feed through a spectral filter that can isolate any frequency band with surgical precision. Dark Matter mode introduces chaotic, non-linear feedback — the sound of cosmic background radiation compressed into audible frequencies.

A reed electric piano — the grittier cousin of the tine. Struck reeds and an electrostatic pickup give it a warm, hollow bark that snarls when you dig in and sweetens when you back off. Cabinet coloring, cosmic panning, celestial chorus, and astral reverb carry it to the ethereal plane.

The pipe organ is the oldest polyphonic instrument in Western music. Crypt Organ models massive pipe ranks from sub-bass 32-foot Bourdon to brilliant Mixture stops, with drawbar controls for additive synthesis. Crypt Reverb places the instrument in impossible spaces — stone corridors that stretch to infinity. From sacred chorales to cinematic horror textures.