Prism Cosmos

The supersaw changed electronic music forever when Roland introduced it in the JP-8000 in 1996. Stellar Supersaw honors that legacy with a 7-voice unison engine that models analog drift and phase interaction, plus a Supernova mode for dissonant, shimmering territory — perfect for cinematic risers, aggressive leads, or galaxy-spanning pad textures.

The Roland Juno-60 and Juno-106 are among the most beloved synthesizers ever made. Comet Juno captures the specific character: the slightly gritty saw wave, the snappy square-wave sub oscillator, and the resonant filter sweep that sits perfectly in any mix. The built-in chorus faithfully recreates the BBD-based circuit that transformed simple patches into lush, wide soundscapes.

Inspired by the Eventide H8000 and Lexicon PCM96 — Nebula MFX layers reverb, delay, modulation, and spectral processing into dense, evolving sound clouds. The Nebula Morph control crossfades between effect configurations the way a nebula shifts between states of matter. Spectral processing analyzes your audio's harmonic content and applies effects selectively across the frequency spectrum.

Convolution reverb captures the acoustic fingerprint of a real space. Cosmic Convolution takes this beyond earthly architecture with mathematically modeled spaces that could never exist: cathedral-scale planetary resonance, methane canyons on Titan, and interstellar gas cloud acoustics. Time Dilation stretches impulse responses into reverb tails that evolve over minutes.

Drawing from the bright, pristine multi-tap delay architecture of the Roland RE-201 Space Echo and the Binson Echorec. Multi-tap outputs create polyrhythmic echo patterns where each repeat radiates outward at a different time interval. The Corona diffusion stage smears repeats into ambient wash, bridging the gap between delay and reverb.

PPG Wave and Waldorf Blofeld wavetable textures channeled through a dreamy piano architecture. Six procedural wavetable sets scanned by a position knob with LFO modulation. Dual detuned oscillators feed a 4-pole resonant ladder filter with envelope modulation, shaped by piano-style ADSR and sympathetic string resonance.

The Fender Rhodes Mark I is one of the most recorded instruments in music history. Astral Rhodes captures the physical modeling nuances: the bark of a hard-struck tine, the gentle bell tone of a soft touch, and the way the sustain blooms differently across the keyboard. Celestial effects — orbital tremolo and starfield reverb — reimagine the Rhodes for cosmic soul.

Rooted in the Solina String Ensemble and ARP Solina — divide-down oscillator instruments that gave disco, prog rock, and early ambient their lush wash — Aurora String Pad reimagines string synthesis through a spectral lens. Layers shift through harmonic colors the way aurora borealis shifts through the electromagnetic spectrum.

Drawing from the noise generation circuits of vintage Buchla and Serge modular systems. White, pink, and brown noise sources feed through a spectral filter that can isolate any frequency band with surgical precision. Dark Matter mode introduces chaotic, non-linear feedback — the sound of cosmic background radiation compressed into audible frequencies.

The Wurlitzer 200A is the grittier sibling of the Rhodes — its reed-based tone produces a warm, reedy bark that Ray Charles, Supertramp, and Radiohead made iconic. Ether Wurlitzer captures the electrostatic pickup response and speaker cabinet coloring, then transports it to the ethereal plane with cosmic panning, celestial chorus, and astral reverb.

The pipe organ is the oldest polyphonic instrument in Western music. Crypt Organ models massive pipe ranks from sub-bass 32-foot Bourdon to brilliant Mixture stops, with Hammond-style drawbar controls for additive synthesis. Crypt Reverb places the instrument in impossible spaces — stone corridors that stretch to infinity. From sacred Bach chorales to cinematic horror textures.